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ItвЂ™s here that Breaking Dawn вЂ“ Part 2 gets all X-Men: The Last Stand on viewers, shuffling through the niftiness of its various vampsвЂ™ powers and affording them no more than wafer-thin ethnic characterizations. Well outnumbered by their Italian nemeses, who also include the pain-inducing Jane (Dakota Fanning) and skeptical adonis Caius (Jamie Campbell Bower), Bella and company begin scouring the globe for vampire supporters, with family heads Carlisle (Peter Facinelli) and Esme Cullen (Elizabeth Reaser) soliciting kinfolk from New Orleans, Ireland, India, and beyond. Thus, the whole shebang hinges on a case of mistaken identity, and while wars may well have been fought for less, this one speaks to the Twilight tradition of squeezing out conflicts like blood from a stone.

Mistaken for one of the dreaded vampire babies of yore, whose creation is a crime against the crystal-skinned race, Renesmee winds up being the catalyst for the ultimate bloodsucker clash, prompting Volturi members to trek from Italy to Forks, Washington, presumably to kill the child and her caregivers. For reasons that can only exist in MeyerвЂ™s head, Jacob further fans the flames by dubbing Renesmee вЂњNessieвЂќ (вЂњYou nicknamed my daughter after the Loch Ness Monster!?вЂќ Bella roars, failing to realize the moniker is a vast improvement). In BellaвЂ™s first irate act as a protective mother (she gave birth to half-vampire Renesmee at the end of Breaking Dawn вЂ“ Part 1), she goes ape-shit on chiseled werewolf Jacob Black (Taylor Lautner), who apparently crossed the line by вЂњimprintingвЂќ on the infant.

But there are ample problems here, beginning with the sagaвЂ™s pedestrian penchant for belaboring contrived drama. The film is going to net a lot of undue, hyperbolic ink, simply because itвЂ™s the first Twilight installment thatвЂ™s compulsively watchable. Characters are better employed emotions are, for once, palpable and the selfishness of Bella, author Stephenie MeyerвЂ™s avatar, is finally somewhat squelched.

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ItвЂ™s plenty refreshing to see Stewart come to life as the undead, and the movie itself is uncommonly animated, having learned from the mistakes of such dreadful entries as The Twilight Saga: New Moon. ItвЂ™s tough work for Bella, as lo and behold, the promise of forever has knocked the hunched-over torpor out of the young-adult worldвЂ™s queen of angst, who can now dispatch mountain lions, exert animalistic rage, and leap tall cliffs in a single bound. Shacked up with EdwardвЂ™s family while getting used to her newfound gifts, which include warp speed and hyper-keen senses, Bella is instructed to feign humanness when her in-the-dark dad (Billy Burke) comes to visit, told by Alice (Ashley Greene) to breathe, blink, and slouch like a mortal.

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Long before itвЂ™s uttered, on the brink of a climax more riveting than anything this series ever seemed capable of, the sentiment is greatly felt in The Twilight Saga: Breaking Dawn вЂ“ Part 2, as vampirism looks real good on Stewart, in regard to both her alabaster beauty and feral performance skills. вЂњImmortality becomes you,вЂќ Volturi leader Aro (Michael Sheen) hisses to red-irised Bella Swan (Kristen Stewart), whoвЂ™s at last surrendered her body and soul to toothy hubby Edward Cullen (Robert Pattinson), vowing to be his bloodthirsty missus to infinity and beyond.

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